I feel a bit like I’ve grown up and become “a real dancer” in the past few months. In 2010, I tried out for Jenni Bregman’s first Resident Artist Workshop (RAW) project Intimate City. I learned a lot from the audition and felt I did well, but Jenni told me I wasn’t ready. Naturally I was disappointed, but kept working hard and enjoying dancing just for the joy of it. But when Jenni told me in the fall last year that she was remounting Intimate City and working on a new piece in a second RAW, I gathered my courage and asked if I might have improved enough to audition. She surprised me by telling me there were a few dancers who couldn’t do Intimate City this year, so would I like to do that? Um…yes! I assumed I would just be in that piece and not the new one, but that proved not to be the case. The blessings kept piling up. Overwhelmed and excited, I joined this as-yet-unnamed company and found myself working with the friendliest, most patient and giving group of dancers (some of whom do this for a living!).
Fast forward to today and we’re more than halfway through our rehearsal time and the show (including Intimate City and the new piece, Context) goes up March 21 and 22nd at the Garage in San Francisco. I feel that I’m more in control of my movement and more expressive. I feel it deeper and give more. In a way, is this what I was meant to be doing all along?
Learn more about the piece and help us make it come to life by watching the behind the scenes video and supporting us on Kickstarter.